" プリントや刺繍でテクニカルな方法を探してる中で、昔ながらの手法として”アナグリフ”が面白いんじゃないかなと。元々、小畑くんの作品って一見平面なんだけど、立体というコンセプトだから、これも同じかなって。平面だけど奥行きを持たせてくれる。子供騙しのものを小畑くんがビルドアップしてくれて、精度を上げていってくれたんですよね ” - 滝沢 伸介

" アナグリフをここまで突き詰めたのは初めてだと思うんです。彫刻的に考えたら、2つの目で見るわけじゃないですか？　カメラで撮ろうとしても絶対表現できないけど、3D眼鏡を掛けた時だけ、平面なのに絵が飛び出てくるからこれも空間表現になるんですよね。それがアナグリフの忘れられた面白さなんですよね ” - 小畑 多丘

" While I was looking for a technical method for printing and embroidery, I thought ‘anaglyph’ would be interesting as a traditional method. At first glance, Obata-kun's work is flat, but since it's a three-dimensional concept, I thought anaglyph would be the same. It's two-dimensional flat but it has certain depth. Obata-kun built up a child's trick, and he finished it as precision of the work. ” - Shinsuke Takizawa

" I think it's the first time I've taken an anaglyph so far. If you think about it from a sculptural point of view, you see it with two eyes, don't you? Even if you try to capture it with a camera, you can never express it, but when you put on 3D glasses, the picture pops out even though it's flat, so this can also be used as a spatial expression. That is the forgotten fun of anaglyphs. ” - Taku Obata